Light Through - Electronic Stained Glass

There are some days that seem to be filled with colour.

Last week, shortly after my return from the Liwa Desert, I visited a centre in Dubai called Wafi and experienced such a day. Camera in hand, I clicked away. When selecting a few of the images to share in a gallery, I noticed that most of those I had chosen involved light shining through glass.

I was immediately reminded of an interview I had been listening to, in which Jeremy Johnson discussed the terms “light on” and “light through” with John David Ebert. 

Light can shine on something or light can shine through something. Marshall McLuhan, a communications theorist, used the terms “light on” and “light through” to highlight the media that went hand in hand with various cultures throughout the ages.

In the west, in the Middle Ages, light had shone through.  The stained glass windows of many cathedrals are testimony to this. They told stories to the beholder and were meant to point the one looking to a Presence beyond. The dominant belief at the time was that the light of Spirit was shining through all that was taking place.  

The invention of the printing press by Gutenberg in the 15th century had ushered in the Renaissance, an age of “light on”.  The printed word had to be looked at.  Light had to be shone on the printed word so that the eye could read it.  

The digital age has once again ushered in “light through”, and the gadgets we currently use are like electronic stained glass. Their high resolution makes them luminous and beautiful, with light shining in from behind.

These gadgets make it possible for you and I to meet and exchange information immediately.  Even right now, our spaces are overlapping. We are sharing a common boundary and an exchange is taking place.

When two entities interconnect, be they systems, concepts, devices, cultures or human beings, the common boundary they share and where an exchange of information and/or energy takes place is known as an interface. 

The place where we are currently meeting, I have chosen to call here2here. In it, we are able to “interface” - which I will translate as - meet in the space between our faces. here2here is the common boundary we share right now, a space where our subtle energies meet. In this space, you somehow shine through to me and I shine through to you, with webcams and apps such as facetime providing a possible enhancement of this meeting. 

Aaron Koblin in his TED talk, quotes: “The culture of the 19th century was defined by the novel, and the 20th century by the cinema. The culture of the 21st century will be defined by the interface.”

I am of the opinion that the interface will again allow us to become aware of a special light shining through, a light symbolizing the transcendent.

Already the miracle of this is becoming apparent as, for example, interfacing is making it possible for east and west to allow light to flow through to each other. 

Special online museums are enabling us to view each other’s art and so learn more about the culture of the other. The resulting fusion is producing new masterpieces. 

The exhibition, “Through The Looking Glass” by Syrian artist, Mouteea Murad, is currently running in Dubai. When I viewed the exhibition, I was immediately reminded of stained glass, not knowing then, that this would be the topic of this blog!

I include the picture I took of one of his artworks here, because it symbolizes for me in image, that which I have attempted to say with words. 

I include too, a video featuring the music of Jon Hopkins. The piece is entitled, “Light through the veins” and the sounds and images of this video speak too, where words fail. 

Liwa Desert

 

It is early afternoon and all is quiet.  All is still quiet.

The Liwa Desert gazes back at me from where I sit, and somehow, words seem superfluous when faced with the expanse of sand in front of me.

Instead, it is perhaps appropriate today, to allow the images in this gallery to speak for me.

Storytelling and Scheherezade

Up until a little while ago, Scheherezade and Linda had never met. Separated by distance and time, their paths had failed to cross. 

A child of the east, Scheherezade came into being, once upon a time, before the 9th century. Born in Africa in the 20th century, with ancestors from Europe, Linda was very much a child of the west.

Once, when she was a young girl, Linda had attended a symphony concert. Fascinated by Rimsky-Korsakov's "Scheherazade" she went out to buy the record. Each time the needle met the vinyl disc, the haunting sounds of the music would issue forth, and Linda would feel herself caught up in another world.

She did not know that Scheherazade was the name of the daughter of a vizier, or even that Rimsky-Korsakov was Russian. No one told her, and because she did not have easy access to one, she did not research any of this in an encyclopedia.

Many years later, air travel made it easier to cover great distances, and Linda found herself living in the Middle East.

One morning, while waiting for her coffee in a Starbucks, Linda picked up the magazine section of a daily newspaper, only to be confronted with a picture of Scheherazade on the front cover. Their paths had crossed anew. 

After reading the article, Linda immediately went home to google Scheherazade and learn more about her. Memories of music once loved, came flooding back, and YouTube allowed Linda to relive them.

She found the newspaper article online and continued her research.  

At one stage, to take a break,  Linda stepped into her Twitter stream. To her amazement, she was met with these tweets: 

@qsedki “King in 1001 Nights represents the reactive rash part of us. Shehrazade represents the thinking considerate part.” - Chris Payne #TEDxAlain

@qsedki “I think Shehrazade didn’t have stories beforehand. I think she conjured them up right at that moment.” - Chris Payne #TEDxAlain

@qsedki “We can either be reactive or we can think and consider how we want to live our lives and take the necessary risks” - Chris Payne #TEDxAlain

Very much conscious of synchronicity, iPad in hand, she mailed the tweets to herself for later use.

Technology had brought two women together and allowed them to meet. By means of it Scheherazade was able to tell Linda her story. She could recount how she had offered to spend the night with a king who, angered by his wife's infidelity, had taken to marrying a virgin ever day and then having her beheaded! 

She told Linda how on that first night she began telling a story but then did not complete it. His curiosity sparked, and wanting to hear the end of the tale, the king spared her life for a day. The next night she not only finished telling the tale but began another, stopping yet again before its completion. Her stories fell into many genre and often she incorporated tales within tales.

This continued for a thousand and one nights, by which time the king had fallen in love with her and she had borne him three children. Made a wiser and kinder man by her presence and her tales, the king spared her life and made her his queen.

Linda listened in awe. And then it struck her!

Each one of us is a Scheherazade. Each one of us has a story to tell and today's technology makes it possible for each story to be heard. The space we inhabit here, allows each one of us to be not only the audience but also the storyteller. This is global theatre and global storytelling on a grand scale.

Scheherezade told stories within stories. Digital storytelling is able to contain links within links. Storytelling becomes visual, oral and written simultaneously, and interactive technology allows teller and listener to merge.

It is an age where individuals and thereby whole cultures can meet on a daily basis. Stereotypes can be broken down and  perspectives broadened, as we discover how the "other" is not so "other" after all.

Linda turned to Scheherazade and asked her if, for the purpose of her blog, she might allow her to change her name to Schere2herezade. 

She only smiled. The story had begun again :)

Suspended Together

The minute I connect to the internet I enter a space, which though not visible to the eye, is filled with enormous activity.

Going “online” is an entry into a web of interlinked connectivity and information. Navigation in this space has to be learnt, but once mastered, opens the door to a world of connections and information.

This ever-growing web of interconnectedness is suspended, as it were, over all that takes place in the world today. We are reminded of what Pierre Teilhard de Chardin called the noosphere. In 1959 he wrote that technology was creating “a single organized membrane over the earth”.    

Not only is this web of interconnectedness suspended, but the minute we crawl into it we become suspended together.

“Suspended together” is also the title of an artwork recently featured in the exhibition entitled “terminal”, which I visited in Dubai. The artist is Manal Al-Dowayan and the piece created in 2011 is neon with black paint.

Although part of an exhibition focusing on air travel, this piece also spoke to me of the concept, which I have chosen to call here2here.

here2here is first an foremost a space of community, a place of the “we”, a place where we are “suspended together”.

At first, I used to think of this space as an in-between place, a place where we meet before going our separate ways.  In some sense it still is, but as advances in technology make connectivity and communication more instant and accessible, and with the advent of social media, this here2here space is also becoming a place where many of us spend a good part of our day. 

My physical state of being, my location, what I am thinking, or that which I would like to share with another, is available 24/7 if I so wish, with others sharing a similar stream.

A collective stream of consciousness is arising as it were, and is flowing even through hand held gadgets of individuals.

Suspended together we ride virtual waves, we hear the opinions of others we are only able to meet because of this space, and we are challenged to broaden our worldview.

Our electronic interdependence also allows cultures to meet. It is enabling the taking of a planetary perspective, the taking of multiple perspectives, and is encouraging dialogue with other perspectives. We begin to recognize diversity and at the same time we realize the need for unity. 

We are learning to develop empathy, as the “other”, we suddenly realize, is more like us than we had imagined.

Karen Armstrong, in “Twelve Steps to a Compassionate Life”, states that compassion means “ to endure (something) with another person, to put ourselves in somebody else’s shoes, to feel her pain as though it were our own, and to enter generously into her point of view”.

As we are suspended together, the heart is encouraged to open to allow this all in. 

The compassion so essential to a peaceful existence in a global world begins to blossom.

Mirror World

Over the last few months I have been fascinated with the floors of Dubai. Often in marble, they lend themselves to capturing beautiful reflections. I find myself drawn to photographing them, enchanted by the patterns and pictures that result when domes, arches, skylights, structures, escalators or even feet, meet inlaid designs.

Imagination takes me back to the time when as a child, I would often dream of being able to build dwellings under the ground, places where people could drink tea and socialize. The “underworld” to me was a fascinating place.

So too, was the world “up there”. Enid Blyton’s “The Folk of the Faraway Tree” was my favourite childhood story. I loved the fact that when one got to the very, very top of the tree and climbed through the last branches, one could visit magical lands which came past at various intervals.

Recently I discovered, that in certain bygone cultures, there was a belief that under the world there existed a mirror image of the world we inhabit.  This world was a shadow world and was upside down. It could only be entered at certain special places.

You are currently online, a special place, beyond the limitations of distance and time. Other scenes can be entered into with a simple click. 

Please accept an invitation to tour the “Mirror World” I have discovered in Dubai. Step on the escalator and ascend or descend (it’s all a matter of perspective, anyway!) into the images of my new gallery.

There is always more to see than what first meets the eye. Mindful looking opens up new worlds.