Entries in digital age (2)

Sunday
Nov222020

Letting in the Light

In photography, shutter speed refers to the length of time a camera’s shutter remains open.  The faster the shutter speed is, the faster the shutter will close, creating a sharp image. This is perhaps one of the camera’s most amazing attributes. It has the ability to freeze a split second, often capturing details which the human eye can so easily miss.  

The slower the shutter speed is, the slower the shutter will close, resulting in an unsharp image.  Slow shutter speed thus captures movement, in the scene, or on the part of the photographer, as motion blur.  At the same time, the longer the shutter remains open, the more light it lets in. 

The more light it lets in. This concept has always fascinated me on many levels. Whilst the slower closing of the shutter can obviously bring about a light trail, I often wonder how much more of the essence of a subject, how much more Light, can be captured in this way.

By nature, I am very sensitive to the energies of both people and places. With this is mind, I began to photograph people using the Slow Shutter Cam app on my iPhone, focusing on the energy I sensed around them.

Strolling ©Linda Hollier

To artistically portray the people in my works, I set myself the challenge of using only my iPhone for capturing and editing, No laptops, no iPads or other devices come into play.  Using various apps, I create my own textures and blends and at times paint by finger on my iPhone screen.

I soon noticed that I was photographing not only movement, where past, present and future were being depicted in one photo as it were, but that the figures I captured were often surrounded by a distinct light. By letting in more light with the slow shutter app, perhaps, I am capturing energy! I feel this adds to the sense of Presence I am aiming to portray.

Radiance ©Linda Hollier

Shortly after I began experimenting with the Slow Shutter Cam app, I attended a Whirling Dervishes Sema Ceremony in Istanbul. This inspired me to focus on discovering new ways in my art to portray the whole concept of rootedness and movement occurring simultaneously, bringing about an even stronger sense of Essence and Presence.  The individuals in my artworks appear to be rooted in a moment but at the same time appear to be moving in an other-worldly realm which is beyond space and time. The viewer is invited to follow them to discover the story that is waiting to unfold.

Noor (the Arabic word for light), ©Linda Hollier

The famous photographer Minor White believed that whether the photographer was consciously present or absent at the moment the shutter is released shows up very subtly in the photograph. My iPhoneart flows out of my mindfulness practice but in a sense has become a practice in itself. My whole creative process is becoming more and more intuitive and this requires me to be very much in the moment. 

It is interesting for all who love photography to note that Minor White also believed that when the photographer is in resonance with the subject at the time a photograph is made, the photograph will also seem to radiate the photographer’s presence. I interpret this as yet another form of Light being captured when the shutter is released.

 

On the Way ©Linda Hollier

The Mobile Art Movement has taken off in the age of social media.  LIght plays a very interesting role in media.  Light can shine on something, or light can shine through something.  Marshall McLuhan, a communications theorist, used the terms “light on” and “light through” to highlight the media that went hand in hand with various cultures throughout the ages.

In the Middle Ages, in the west, light had shone through.  The stained glass windows of many cathedrals are testimony to this. The windows and the way the light was being let in, told stories to the beholder and were meant to point the one looking to a Presence beyond. The dominant belief at the time was that the light of Spirit was shining through all that was taking place.  

The invention of the printing press by Gutenberg in the 15th century had ushered in the Renaissance, an age of “light on”.  The printed word had to be looked at.  Light had to be shone on the printed word so that the eye could read it.  

What excites me as an iPhone artist, is that the digital age has once again ushered in “light through”, and the gadgets we currently use are like electronic stained glass. Their high resolution makes them luminous and beautiful, with light shining in from behind. Each artwork created on a mobile device can be instantly shared and viewed on such an interface. It is in this milieu of luminosity that the Mobile Art community has been established. 

Eggshell ©Linda Hollier

The dark side of the current state of media in the digital age is that social media can blind us to what is actually happening. Users can become trapped in their own filter bubbles, hearing only from likeminded people. Fake news is becoming common and can easily spread. There is a great lack of transparency. 

To further explore the concepts of light through, filters and transparency, I have created a series of six gauze-like veils titled #interact2connect, which I am currently photographing around the world. Six of my iPhone artworks are printed onto these veils. By interacting with people I meet or with strangers, we connect. When the veil is held up in the light, the veil also interacts with the individual and the surroundings. 

#interact2connect ©Linda Hollier

Next time you are out photographing or creating mobile art, I invite you to become aware of the ways in which you are “Letting in the LIght”. 

 

This blog post first appeared as a Guest Blog Post on the website of Rad A. Drew Photography

 

Tuesday
May242011

Light Through - Electronic Stained Glass

There are some days that seem to be filled with colour.

Last week, shortly after my return from the Liwa Desert, I visited a centre in Dubai called Wafi and experienced such a day. Camera in hand, I clicked away. When selecting a few of the images to share in a gallery, I noticed that most of those I had chosen involved light shining through glass.


I was immediately reminded of an interview I had been listening to, in which Jeremy Johnson discussed the terms “light on” and “light through” with John David Ebert. 

Light can shine on something or light can shine through something. Marshall McLuhan, a communications theorist, used the terms “light on” and “light through” to highlight the media that went hand in hand with various cultures throughout the ages.

In the west, in the Middle Ages, light had shone through.  The stained glass windows of many cathedrals are testimony to this. They told stories to the beholder and were meant to point the one looking to a Presence beyond. The dominant belief at the time was that the light of Spirit was shining through all that was taking place.  

The invention of the printing press by Gutenberg in the 15th century had ushered in the Renaissance, an age of “light on”.  The printed word had to be looked at.  Light had to be shone on the printed word so that the eye could read it.  

The digital age has once again ushered in “light through”, and the gadgets we currently use are like electronic stained glass. Their high resolution makes them luminous and beautiful, with light shining in from behind.

These gadgets make it possible for you and I to meet and exchange information immediately.  Even right now, our spaces are overlapping. We are sharing a common boundary and an exchange is taking place.

When two entities interconnect, be they systems, concepts, devices, cultures or human beings, the common boundary they share and where an exchange of information and/or energy takes place is known as an interface. 

The place where we are currently meeting, I have chosen to call here2here. In it, we are able to “interface” - which I will translate as - meet in the space between our faces. here2here is the common boundary we share right now, a space where our subtle energies meet. In this space, you somehow shine through to me and I shine through to you, with webcams and apps such as facetime providing a possible enhancement of this meeting. 

Aaron Koblin in his TED talk, quotes: “The culture of the 19th century was defined by the novel, and the 20th century by the cinema. The culture of the 21st century will be defined by the interface.”

I am of the opinion that the interface will again allow us to become aware of a special light shining through, a light symbolizing the transcendent.

Already the miracle of this is becoming apparent as, for example, interfacing is making it possible for east and west to allow light to flow through to each other. 

Special online museums are enabling us to view each other’s art and so learn more about the culture of the other. The resulting fusion is producing new masterpieces. 

The exhibition, “Through The Looking Glass” by Syrian artist, Mouteea Murad, is currently running in Dubai. When I viewed the exhibition, I was immediately reminded of stained glass, not knowing then, that this would be the topic of this blog!


I include the picture I took of one of his artworks here, because it symbolizes for me in image, that which I have attempted to say with words. 

I include too, a video featuring the music of Jon Hopkins. The piece is entitled, “Light through the veins” and the sounds and images of this video speak too, where words fail.